xZINECOREx An Introduction

By Milo Miller
Download the zine flats!

So I don't usually review digital zines, but occasionally I do. This is one such special occurrence, both because this is post #666 (!!!), and because it is a super nerdy zine about libraries, metadata, and zines. Plus I had to print it out to read it.

(Also! By the time this posts goes live I'll have been at the ALA conference, and I will have seen real live copies of this zine there that I didn't have to print.)

So this is a zine about metadata, and while I am currently in a program where I study metadata (and even meta-metadata), I'm sure most of you aren't. Metadata is data about data, and is all about how you sort and organize information.

xZINECOREx is an attempt to create a metadata system for zines, similar to ones that are already in place for other material in libraries. It covers stuff like genres, contributors, titles, etc. This is like hyper-nerdy stuff, and most people won't be into it, but as someone who used to catalogue zines _before_ I was even in library school, it certainly appeals to me.

This isn't a definitive guide to zine metadata, and it even says so right in the zine itself. Zines are still relatively new additions to libraries, and librarians are still discussing the best ways to catalogue them in collections. In fact, when I go to the Iowa City Zine Librarian (un)Conference next week we'll be discussing this very topic. I can't wait!

A Conversational History: Roberts Street Social Centre

By Caleb, Nicole, Jyelle, and a whole bunch of other people
www.robertsstreet.org

The major reason as to why this site hasn't been that updated over the summer is that I moved to Halifax and developed a social life. I've also spent a lot of time volunteering at the Roberts Street Social Centre and the Anchor Archive Zine Library contained within it.

This isn't to say I haven't been writing things. I continued writing my column for The Beat until this month, I've made a couple of zines (mostly at a 24 hour zine challenge, more info soon!), and have also spent a lot of time updating the website, facebook page, and email announcements list for Roberts Street.

So it is with a fair amount of bias that I approach this zine.

The Roberts Street Social Centre is a space in a former house that houses a zine library, the People's Photocopier, a screen printing co-operative, a meeting space, and more! It's been around for about six years, and this zine (which was about a year in the making it seems) is mostly a transcript of a dinner conversation (from 2009?) between eleven (I think) people involved in the space, and their memories of how the space began, and how it's grown and evolved since then.

There's also an interview with the people that set up the website and online zine catalogue (really interesting to me, but possibly boring to everyone else), an interview with the owner of the house who we rent from (more interesting than it might seem), and flyers and posters advertising events from the beginning of the space.

As someone (heavily?) involved in the space, I find this all really interesting, but I'm not sure how interesting it would be to someone who has never visited. There are some problems (all of the pieces just seem to stop, with no real ending or conclusion), and there's some information that I would have liked to have seen included (why start a zine library at all?), but overall I think it's a really awesome zine, and the style of it (while a nightmare to transcribe I'm sure), is one that allows a lot of different people to tell their memories and opinions in an organic way.

DIY Zine Libraries

By Cheyenne Neckmonster
neckmonster@gmail.com
cheyenne's tumblr

I really love zine libraries, which if you know me you would already be aware, as I spend a lot of my time nowadays hanging out at the Anchor Archive Zine Library (you should come by!). One of the awesome things the Roberts Street Social Centre (where the aforementioned zine libray is located) is a summer zine residency program. This is where various zinesters and artists come and live in our shed for two weeks and work on art and zine projects.

So far this year we've had some pretty rad people come by, one of whom was Cheyenne Neckmonster, who finished her zine a few weeks months ago. It's kind of strange reviewing this zine as not only do I know Cheyenne (and hung out with her a bunch while she was here), but I helped her a bit in this zine by giving her the contact info of some zine library people I know (I'm even thanked on the back page!).

This zine combines general info about zine libraries with quotes from people involved with some libraries. The general info didn't interest me that much, but that's probably because I already know about zine libraries! I was interested by the quotes from various librarians and wish there was more information about them. In fact, I'd rather read profiles on each individual library, but that's me asking for a different type of zine than this is.

This zine is cool though, and I know Cheyenne is already planning a second edition (or a second issue), with information from more libraries. If you're interested in the idea of zine libraries and want to start your own this zine is totally worth checking out, though you don't have to take it as your bible. As Cheyenne says "Every zine library is unique.", and I wouldn't have it any other way.

Lucid Frenzy Digest 2011

By Gavin Burrows
lucidfrenzy.blogspot.com

It's almost...ironic that I reviewed a zine about about mental health issues and then almost immediately didn't update for two days because of my own problems. Haha. Hilarious! (No wait, it's not.)

Um, so, this is a collection of pieces that Burrows has run on his blog, and despite liking what I read in the last issue of this zine, I've never actually gone to his blog to read anything. This is probably because Burrows' pieces are quite long and in-depth and take a while to digest and process. Thus I find it easier/better to read these things in paper form when I'm not being distracted by someone talking to me in another window or funny pictures of cats or something.

In this issue Burrows talks about zines, and reviews concerts, movies, and art shows. I enjoy Burrows' general writing style, which is most evidenced by the fact that I read all of his pieces about music I had almost no familiarity with. Music articles/interviews are probably the bits of zines I skip over with the most frequency, as I find that they generally require you to have knowledge of the artist to really get anything out of them. Here, however, Burrows has managed to weave information about the band/music, history of the genres, and descriptions of the bands that are considerably more informative than "band x meets artist y". So yeah, I enjoyed reading them even if I don't want to seek out what the bands actually sound like. That's what music writing should be like!

Though I must admit that the repeated references to Francis Bacon kind of flew over my head. I guess I should read more about him at some point.

Photocopy Press #2 The International Zine Maker Issue

By Elizabeth J. M. W.
petitspoissons.etsy.com

Since I read a lot of zines, and go to a lot of zine events, and write about zines all the time, I’m clearly interested in zine culture. Elizabeth’s zine starts off with reviews of zines (and zine related things), and since there’s been a bit of discussion about it on the internet (including on this blog) I thought it was interesting to read that she only prints positive reviews. She says that she doesn't “see the point in wasting ink and paper on a zine I’m not excited to tell others about”, which is a legimitate argument. (I, however, have the infinite space of the internet!) She also says that she doesn’t want to make people upset by printing negative reviews of things that they've worked hard on.

But that’s not the interesting thing about this zine! The interesting bits are the interviews done with zinesters from around the world (including me!). Elizabeth sent out email questionnaires to zinesters who responded with answers about how they discovered zines, what the zine scene in their area is like, and other questions. It’s a bit English speaking country-centric, but that’s to be expected. There is some pretty cool info in there though, about the scenes (or lack thereof) in Israel, Austria, and other countries. Plus you can read my response, which is somewhat confrontational, devil’s advocate-y, and questions the very wording of the questions themselves. I am predictable.