Showing posts with label The Matter. Show all posts
Showing posts with label The Matter. Show all posts

Friday, March 11, 2011

The Matter Second Issue Preview



If you look at the cover of this zine you can figure out why it was made. The Portland Zine Symposium was about to happen and apparently they didn't have all the content ready for their second issue. But the problem with previews is that they're often kind of lacking in content.

This one features excerpts from a number of comics and prose pieces, but half of them are actually the second part of stories that began in the first issue, this means that the first issue is a more effective gauge of what will be in the second issue, and, since it includes complete chapters instead of excerpts, will give you a better idea of what the second issue will contain. (Though to be honest I'm not even sure if the second issue came out, as the website address listed in here no longer leads to anything.)

Still, I like the cover (I love that typographic style), and there's an introduction to this piece about what zines are that is kind of interesting. It's interesting to think that zines are _everything_. They can be comics or prose or poetry or art or photography or recipes or music or travel or personal or educational or anything. The only thing that really unites the people that make them is that they don't just want to make something, they have to, and they'll go to all extents to create and distribute what they've made.

Speaking of which, have you seen my zines? Want one? Email me and we can work something out.

Sunday, January 24, 2010

The Matter #1

The Matter #1
The Royal Springs Entertainment Company
therseco.com
Half legal sized.

What differentiates The Matter from a small press magazine? The screen printed cover? The fact that I bought it at the Portland Zine Symposium? The paper quality?

Ultimately it’s the intentions of the creators (and the cover), but the people working on this publication have clearly put a lot of time and effort into its design, which is something I fully support.

The book is a mixture of illustrated fiction and comics, from a number of different creators, interspaced with mostly black pages featuring single quotations from various people that represent what the magazine is about (words, pictures, conversation, science fiction, dragons, art) better than the three page editorial note at the end.

The first comic is about an issue I have yet to see any fiction about: Somalian pirates. The creator, Matt Strackbein, has clearly spent a lot of time researching this, as the only dialogue in the piece is in Somali. Or at least I think it is; my attempts to find an online Somali-English translator on the internet failed. He could just be writing gibberish. Not that that’s a problem, I already own comics in numerous languages I cannot understand, and the storytelling here is clear enough for me to follow.

The comic itself seems interesting enough, though at only seven pages of a longer narrative this part doesn’t really give you a feel for how the work will be. I do wonder about the somewhat cartoony style that is being used for the artwork, I’m not sure how well it goes with the story.

The next comic, the Brink, is billed both as the first chapter and as a sneak peak. The idea of a counsellor working on a space station seems pretty good (admittedly, I haven’t watched that much Star Trek), but the short piece here isn’t really enough to go on.

The final comic thankfully doesn’t have the problem of being an introduction, as it tells a complete story. It’s short, humourous piece about supergenius babies who want cookies. It didn’t do much for me to be honest.

Nor did either of the two prose pieces included here. I definitely feel as though more could be done with the second story, about a girl who is the only person left in a huge empty office after everyone else had been fired. It could definitely be developed more.

One major complaint I had is on the type of paper used. I’m sure people putting this zine together spent a lot of time choosing it, and while the flecked look works fairly well for the text pages, it doesn’t look so hot for the comics. White should be white, not some weird speckled beige. Unfortunately this is made even worse on the first comic because of the grey background that surrounds all images, hopefully they’ll clear up that problem for future issues.

So a not so fantastic start, but the creators put in a lot of work, and hopefully future issues will reach their potential.