Wednesday, September 14, 2011
By Stathis Tsemberlidis
Reviewing this silent, dream-like comic is pretty hard. There are no words or dialogue anywhere inside, and the plot is one where events flow into each other with no explanation of what's going on or why anything's happening. My friend thought they might be stuck in Hell. I wondered if the comic was all about how circular life is and how nothing truly changes. One side wins and they become who they were fighting against. Maybe that is Hell.
The comic opens up with a groups of protesters facing off against police officers in riot gear. Part of me really thinks that this is inspired by the riots that happen in Greece fairly frequently. Tsemberlidis is (I'm pretty sure) from Greece, and he is presumably more aware of the events going on there than most people.
After that the comic becomes more metaphysical and mystical, and there are panels that wouldn't feel that out of place in some of Alan Moore's weirder comics. (Actually there are a couple of panels that wouldn't look out of place in a more popular Alan Moore comic either.)
However the story (however strange it may be, and ignoring the three paragraphs I've written about it) is not the reason to check out this story. The real reason is Tsemberlidis' amazing, though hard to describe, artwork. Each image is filled with incredibly amounts of detail and texture, and while there aren't that many backgrounds I feel that this is done on purpose, and adds to the mystery of the story. What backgrounds are there also look amazing, so it's not like he's avoiding drawing something he's not good at.
Mostly though, we're left with unanswered questions: Where did that crocodile come from? Is it actually an alligator? (I can't tell the difference.) Is that a vagina? Is Tsemberlidis ever going to draw a zombie comic? Cause I bet he would draw amazing zombies (I don't even really care about zombies!).