Tuesday, April 12, 2011

Khyber Komix Jam #2


Edited by Kyle

A comics jam is an event where a bunch of people get together and draw collaborative comics. Usually each person draws a panel, and then passes it on to the next person (who in turn passes on the comic they'd been working on). You spend an evening hanging out with other comics artists, and at the end you have a pile of usually bizarre, generally nonsensical comics.

While these are great drawing exercises for the artists, both to get them to actually draw something and to draw within a certain period of time, they results are generally incredibly uneven. You have some participants who try to continue the story started by the previous artists, but others who go for random jokes and non sequiturs.

You also have an incredible variety of art styles, and while a few of the artists here are quite good at drawing something within the allotted time, others are not. My favourite comic had to do with a horrible jelly fish attack, both because jelly fish (or at least the idea of flying ones) terrify me, and because on average I think it has the best art. I guess jelly fish aren't that hard to draw.

Ultimately though, I think the biggest problem is the lettering. I can't even read a bunch of the dialogue! I'd be really interested to hear of any comic jams have used a writer/letterer who would write the dialogue/captions in advance and have the artists draw things to try and match up with that. I don't know if it would work better, but at the least the produced comics would (probably) be more coherent.

Monday, April 11, 2011

Peach Melba Issue 20


By Pearl
PO Box 74
Brighton
BN1 4ZQ
UK

While no longer the youngest zinester I know of, (almost) fourteen-year-old Pearl continues to put out my favourite monthly zine.

Each issue is filled with various typewriter-written lists of seemingly random things that have caught her fancy recently, and they never fail to put a smile on my face.

This issue includes the life cycles of sheep (both male and female), a list of eyewear, "Things you can do because you're wearing a hat" ("signal secretly to a helicopter"), and loads more. What other zine mentions both zlotys and axolotls in the same issue?

Sunday, April 10, 2011

Aliens: First Encounter


By G.P. Bonesteel
www.killerinkcomics.com

I really enjoy the format of this zine. It's wide and skinny, and each page is filled with a single panel like the cover (except it's in black and white). It's a neat size, and can be used to tell a story in a suitably "wide screen" style.

The comic itself disappointed me somewhat. There is no plot other than "aliens attack", and honestly, as much as I love that stuff you still need more than that and a few old jokes (yes, yes, everyone hates hippies, but really, X-Files references in a comic released in 2009?) to get me onside.

I think one of my major issues with this comic is that the "wide screen" format isn't used effectively. Instead we get page after page that feature identical panels where very little on the page actually changes. I'm not dissing that style of storytelling, I think it can be very effective, but I think if you're going to use it you need to have a lot of panels and a lot of room. When most (or even half) of an entire page doesn't change for five or six pages I wonder why the creator bothered framing the story that way. Instead, it might have been better if Bonesteel had used a more traditional size and used smaller repetitive panels instead.

The other problem is that isn't even a complete story. The last page tells us that the story is to be continued, but as the "story" so far is an entirely generic space alien invasion with no actual characters, I'm not sure why I'd bother really.

Saturday, April 9, 2011

I See the World in Hipstervision


By Elliot Baggott
surrealistetiquette.blogspot.com

Hipsters get a bad rap. I mean, there are songs about how they are stupid. This becomes all the more ridiculous when you consider that almost nobody describes themselves as a hipster, and in fact few people can even describe the term (leading to this comic, which I think explains the concept quite well).

So I was a little excited by this, as I thought it might be someone trying to reclaim the term (ironically of course), or some sort of comic poking fun at hipsters.

It's neither, instead it is (as the subtitle says) a collection of sketches. Some of the people look kind of hipstery, others just look like normal people (though I'm not really sure if the elf is based on a real person or just imagination). The art mostly shows people with haircuts and some girls that seem pretty cute, though the ones I liked best where the drawings of buildings. Yay architecture!

Really though, these sketches just have nothing on sketches done by other people. (Yes, that is me.)

Friday, April 8, 2011

WJC Comics No 3


By Warwick Johnson Cadwell
warwickjohnsoncadwell.blogspot.com

Cadwell's comics shouldn't really work. His artstyle seems to ignore so many things that I think should be present in "good" comic art. The characters' proportions don't make sense, the panel to panel consistency is weak, and characters warp and change.

And yet I love his style. There's something about the way he draws weird looking creatures, robots, and even humans that really appeals to me. His work has energy, dynamism, and an appeal I find hard to pin down.

Of course it's not all perfect, the reproduction on this is kind of terrible. Greys come out so dark it's hard to make out any detail, and I just know we're missing out on certain aspects of the art. Storywise it's just a chase scene, but it's effective at what it does, and as part of a longer narrative it would work really well.

Cadwell has a book coming out from Blank Slate Books later this year, but until then I'll just have to keep looking at his blog so I can discover awesome drawings like this one of Batgirl vs. Killer Croc.

Thursday, April 7, 2011

Qwerty Pop


By The Thomas Ferguson Band
www.mixcloud.com/ttfb
fulsomeprism.wordpress.com

Every now and then I get a zine and I have no idea where it came from. This one was made for a typewriter festival (in February) at the Sticky Institute (a rad zine shop in Melbourne Australia). Well, no, that's not exactly true. The creator of this zine was asked to make a mixtape/cd about and inspired by typewriters for this event. What on Earth do you have to do to get a reputation as someone who can make a mix based around typewriters?! (I guess the answer is just "be pretty good at making mixes", and this guy is. I listened to the typewriter one already, and am now listening to another right now. Hurray!)

You can listen to the mix in the link above, and it's actually pretty rad. This zine acts as a companion piece to the mix, and I'm a little disappointed that it's a halfsized zine. I make a fair number of mix CDs (do you want to trade? Let me know!), though none with as weird a theme as typewriters. Quite frequently I make little booklets to slip inside the CD case. This zine works in much the same way my booklets do: there's information about the bands, the individual tracks, and random anecdotes about how the music was discovered. It's all pretty fun.

This zine also had a weird and awesome story as an insert. The story is a first person narrative about someone, who is completely oblivious to society as they don't know what money is, serving Salvador Dali in a super market. It's presumably an attempt at creating a Dali-esque piece in text form. I'm not familiar enough with Dali to really know how successful the author was, but I enjoyed it.

Plus the mix features a Missy Elliot/typewriter mashup, I mean, what's not to love about that?

Wednesday, April 6, 2011

Carck Presents Menagerie


By Harriet Jones & Vicky Samuel

Oh look at the adorable kitty cat! Awwww. And it's head is on a folded paper spring thing, how clever!

NO! Do not be fooled! This zine is nothing but smut! Once you open it you are exposed to a pop up penis! And that's it, it's kind of funny, but I can't imagine how much work went into cutting, folding, and gluing everything together for this. And the penis even sticks out of the side! How shoddy! (I'm joking.)

It's kind of impossible to review something like this. I do really wonder why there are twenty three different website addresses on the back page. Are they sites related to the creators of this zine? Why am I supposed to go look at them? I have no idea. (Actually looking at them it seems a couple might be related to the creators, but I really can't be bothered looking them up.)